(From the liner notes for the Eyedrum Improv session called "Rules
of the Future: WIGS!)
Halonic/Medusal Variants: "Put on your wig
hat baby 'cause we going out tonight."
Fehta Murghana
[extract from uncollated notes on the concept of 'halo' and the project
called Great and Final and Unfinished]
The Romans
[surya 30, ayat 54]
Allah is He Who created you from a state of weakness then He gave strength
after weakness, then ordained weakness and hoary hair after strength;
He creates what He pleases, and He is the Knowing, the Powerful
The Light
[surah 24, ayat 31]
And say to the believing women......that they should draw their head-coverings
over the neck opening (of their dresses) , and not display their ornaments
except to their husbands, their fathers.....(etc)
The Bee
[surya 16, ayat 80]
And Allah has given you a place to abide in your houses, and He has
given you tents.of the skins of cattle which you find light to carry
on the day of your march and on the day of your halting, and of their
wool and their fur and their hair (He has given you) household stuff
and a provision for a time.
-
It used to be the case that not everyone wanted to go out on the town
(and we take this as metonymic for a whole host of activities that give
one leave fro
m the home and induce a certain diasporic homelessness -- it is the
symptom of the age and a certain -- as in sure thing -- modernity).
This leave taking, while finding its paradoxical 'home' in modernity
nevertheless has its ur-moment with the head, the hair, and the most
nostalgic moment of all, the wig. That is, loss and then a perennial
recouping of losses and even technical augmentation of losses which
act to carry us beyond certain liminal constraints of thing-apart (wig,
falseness, supplement, pharmakon) and thing-itself (hair, the 'real',
perhaps even the auratic glow minus its technical extensions, whether
early fantasied medusa-stoned or only extensions added just before stolling
outa the crib. From Agamben:
"The halo is this supplement added to perfection--something like
the vibration of that which is perfect, the glow at its edges.
"One can think of the halo ...as a zone in which possibility and
reality, potentiality and actuality, become indistinguishable. The being
that reached its end, that has consumed all of its possibilities, thus
receives as a gift a supplemental possibility. [....] This imperceptible
trembling of the finite that makes its limits indeterminable and allows
it to blend, to make itself whatever, is the tiny displacement that
every thing must accomplish in the messianic world. Its beatitude is
that of a potentiality that comes only after the act, of matter that
does not remain beneath the form, but surrounds it with a halo.")
The wig shelters the ur-moment of technical facilitation of the aura
as Walter Benjamin had it; the perception of distance in the that which
is most close, a moment of lucid 'homesickness' even, in that most primary
sense of the early Romantics of philosophy as the prime sector of home
loss; nevertheless always a loose fit between hearth and home, wig and
head, hammer and hand, here in that loose grip a quantum infinity of
liminal potentialities , homecomings, and uncanny homes carried on our
backs (or heads), everything carrying within itself everything else,
all in the looseness of fit.
Here, at this thin interface resides the numinosities of aura, halo,
crowns, head coverings, wigs, and any number of other cover-ups in the
history of the head, the whole history of epistemology and metaphysics
residing in the wig hat, there in the thin rim between the done and
the un-done, the energetic haze of possibilities which trip beyond all
the temporal heccaeties. Ii is the almost non-existent (in fact in some
cases we might as well go ahead and call it Imaginal, after henry corbin,
i.e., real but non-existent strictly speaking---but fortunately we speaking
of nothing but he improvized looseness of fit here, always and forever)
energetic haze of fidelity to possibility, nothingness whirled into
some sort of being-ness, everything 'on the verge.'
There is a section in 'The Persistence of Memory: myth, organism, text'
apropo of the halo concept, or the thin gap between wig and head, between
here and home. It is not called such, but is elegantly stated and seems
to prefigure Agamben's section9partially quoted above) called 'Halo'
in 'The Coming Community':
"The space between worlds, variables, and constants, the gap upon
which all truth depends, is like a fulcrum which allows two opposing
weights and forces to cooperate, with the aid of nothing more than the
touch of a finger, in overcoming gravity. The truths of correspondence
are a little like this: ponderous weights (Energy, Mass; I think, I
am) are lifted and lowered only because they find their center in absence.
As Lao Tzu reminds us, the cartwright's art is most focused not on the
rim, the spokes, the hub, or the axle, but on the space he must leave
between the hub, or the axle: it is there that the wheel turns and the
cart moves.
What this means is that the essential, the irreducible, or the fundamental
point in the world, in discourse, and in machines is very like something
which is not there: an opening, a space, a gap which joins. If the wheel
and axle were to fall into the background, one could see this space
where the movement is a ring of light."