| RICHARD GESS | Introduction | |
| CAROLYN GUYER | After the Book? | |
| JOE AMATO | Anthems 4 & 9 | |
| GRACE BRAUN | Injection Comics | |
| ROBERT CHEATHAM | Virtual Orphicality: Telepathy, Virtuality, and Encysted Sense Ratios | |
| JANE DOUGLAS | Gaps, Maps, and Perception: What Hypertext Readers (Don't) Do | |
| RICHARD GESS | Intergrams/Colloquy: Two Interactive Prosodies | |
| FRANCESCO GIOMI | The Computational Score | |
| CAROLYN GUYER | After the Book? | |
| TERRY HARPOLD | Grotesque Corpus: Hypertext as Carnival | |
| MICHAEL JOYCE | Hypertext Narrative | |
| JUDY MALLOY | Wasting Time (IBM-compatible narrabase) | |
| STUART MOULTHROP | Dreamtime (Macintosh HyperCard hyperfiction) Shadow of the Informand: A Rhetorical Experiment in Hypertext |
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| MARTHA PETRY | Hypertext: Permeable Skin | |
| CHEA PRINCE | Du Ranten (Rant II) | |
| JIM ROSENBERG | Poetics and Hypertext | |
| DEA ANN MARTIN | dolls, meat, avila | |
| MARTIN ROZENBERG | Contingency, Liberation, and the Seduction of Geometry: Hypertext as an Avant-Garde Medium |